Wednesday, January 19, 2011

Review: Tensaw Blues


Tensaw Blues (Southern Beaus, #4)Tensaw Blues by T.D. McKinney

My rating: 4 of 5 stars


Quinton Wolfe and Max Bowman (from “The Wolfe Proxy” , reviewed by Wave here) have been lovers for two years now, and the need to keep their relationship secret starts to get to them. As CEO of a big business concern, WolfeCorp, Quint is dependant on his investors’ money, and he’s afraid that coming out as a gay man will affect their interest and willingness to invest in his businesses. Quint has decided that the jobs and livelihoods of thousands of WolfeCorp’s employees outweigh his own need to live openly with Max, who he deems the love of his life. Although sculptor and artist Max agreed to this in the first place, he can’t help feeling overlooked, even more so since Quint is such a workaholic. Thus Max is more than happy to accompany Quint to the opening of a new WolfeCorp plant in a small town in Alabama, since he’s looking forward to at least a few hours of alone time with Quint.



Arriving at their destination, they find to their unexpected pleasure that their hotel isn’t only gay friendly, but seems populated with gay men. Even the architect in charge of Quint’s new plant, Cameron, turns out to be gay, introducing them to the man he plans to have a commitment ceremony with in the near future, Bolt. Their landlord, David, is also married to a man, although his husband, Brian, happens to be a ghost who only Max can see, but Quint cannot.



Well, it’s a delightful surprise for Max. At first depressed and frustrated about the need to keep his love for Quint under the radar, Max flourishes in the company of the other openly gay couples. The afternoon he spends with Bolt, in particular, brings new hope of a better future with Quint to him, since Bolt is an active DEA agent, obviously accepted among his fellow law enforcers despite his unashamed openness about his sexual preferences. Nevertheless, Bolt is also stunningly attractive, which doesn’t sit too well with Quint, whose jealousy and possessiveness are woken by the growing friendship between Max and Bolt.



I liked the way Quint slowly came to open his eyes to the most important things in his life. The other couples’ examples go a long way to show Quint that it is Max who really matters to him; Max’s own insistence and ultimately, Max’s accident are only the last straw. Max, on the other hand, could have come across as pathetic, but he didn’t; he’s a man in love who puts up with adverse conditions in order to be with the one he loves and ultimately, gets rewarded for his patience. Both men were endearing, well-rounded characters whose only fault might be that they appeared, at times, better than life, especially Max.



The same could be said about the secondary cast, although every one of them was a person in their own right. Both couples, Cameron and Bolt as well as Brian and David starred in their own stories in earlier instalments of the “Southern Beaus” series. It was a pleasure to meet them again, watching them interact with Max and Quint, ultimately contributing to the main couple’s HEA. There’s enough background information on either of them that Tensaw Blues can be read as a standalone, although it doesn’t hurt to know the other books.



Although this book is labeled “suspense/ mystery”, the actual mystery takes a backseat to Quint’s and Max’s relationship. Even so, there’s a considerable amount of action. The “showdown”, in particular, is very well-crafted and really exciting.



Tensaw Blues is a solid piece of skillfully cooked-up entertainment, funny, enticing, with a liberal sprinkling of suspenseful action and laced with sweet and passionate eroticism. I can recommend it.



Full review and comments at www.reviewsbyjessewave.com



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Thursday, January 6, 2011

Review: The Night Porter


The Night PorterThe Night Porter by Sue Brown

My rating: 4 of 5 stars


Max Whiteley is an expatriate Texan, working as a night porter in a small, old-style London hotel. Robert Armitage checks into Max’s hotel three days before his wedding. Max has seen many men like Robert walk in through his hotel’s door (for some reason his hotel seems to be popular for prospective grooms to wait for their wedding day there), and he has seen them walk out again. Many of those men seek out a last sexual adventure before they get married, some at one of the nearby clubs, and some – with the good-looking night porter.

Max is immediately attracted to his handsome fellow countryman, but he knows from the beginning that this attraction can’t go anywhere, so he fights it. Every step of the way, as it turns out, since the two men keep running into each other, until they end up spending an entire afternoon together with Max playing tourist guide for an excited and wide-eyed Robert. It is during this afternoon that Max realizes he could easily fall for Robert. Even though Max knows that he’s already deeper in than is good for his peace of mind, he allows himself to be dragged along. He doesn’t resist Robert’s innocent curiosity, Robert’s fierce need. Max takes another step and another, indulging in a dream which he knows is impossible to come true and yet is desperate to make happen, until it’s too late and he wakes up in Robert’s arms.

Max and Robert are polar opposites. Max has had countless flings, but he’s never been in a relationship. He’s strictly and openly gay whereas Robert is a virgin, as he has comitted himself to not having extramarital sex, same as his fiance with whom he has been together for four years. He has obviously never dared to explore his own sexuality, although he seems to be tentatively interested in men as well as in women. However, Robert is a healthy twenty-three year old who is hurting for sex due to his self-inflicted celibacy, and when he picks up from Max that there might be the slightest possibility for a mutual attraction, Robert pushes and pushes until he gets what he wants – and then some, since the way Max makes him feel has the potential to actually turn Robert’s self-perception upside down.
It is Max, though, who should have nipped the whole thing in the bud. Still, Max sends out mixed signals to Robert. It is not entirely due to Robert’s pushing that they land in bed together, and it is Max who doesn’t stop Robert from going further along the way while he still can. He’s the more experienced, the one who should have known better. It is painful to watch how Max drifts off into his dream world where he can have a future with Robert. There is one heartbreaking moment where the story is actually on a knife edge, where I as a reader sat biting my nails, wanting to yell at the guys to open their eyes, to take the leap of faith, to realize that they are made for each other… and again it’s Max who tips the scales. Now that it’s way too late for both of them, he applies full brakes. It is not so much Robert who walks out on Max, but Max who shoves Robert out of the door and into the arms of his fiancee.

Max, as a character is not easy to take to. For one, he’s an incorrigible dreamer, always looking for something, or rather someone, as in Mr. Right, while at the same time putting up with Mr. Wrong more often than not. He is also very unconfident which shows in the choices he makes: working a lonely, mundane job in an unremarkable hotel, messing around with men who he can be sure won’t want anything else but sex from him instead of really going after his stated aim. He comes across as a coward, not least because there is obviously no reason for the way he lives: he is good-looking, educated, from a wealthy family. His reasons remain veiled.
Robert, on the other hand, is easy to like; very much like a big bear cub. He is rather naive although he goes for what he wants with determination. At times, it seems that Robert is the one who falls prey to Max instead of the other way round. Robert doesn’t emerge unscathed, not at all; sex is a big thing for him, after all, and Max makes Robert throw all his principles overboard. What’s more, Max opens Robert’s eyes to a new image of himself, one which Robert is far from accepting, but which is bound to cast a shadow over his marriage and maybe his entire future life.

Forced separation is often used as a plot device, although it has usually happened in the past with the respective story starting when the heroes meet unexpectedly, years later. What we have here is the back story without the HEA resolve, unhappiness in the making, and it’s so sad to watch. It’s also true, for that’s what life is like most of the times.

Opinions may differ on this story. It doesn’t end on a hopeful note, it leaves the reader hanging there, longing, just like it leaves Max, but still…still…there’s the what if, there’s the if only, and the imagination starts spinning – all by itself.

The writing, by the way, was great, although I didn’t much care for the author chewing away at the “Buttercup and Westley” motive.

Don’t read this when you’re already depressed, it will move you to tears. This story is a perfect match for Dreamspinner’s “Bittersweet Dreams” motto, a love which is foredoomed to failure and yet strong enough to touch people’s hearts. It did mine, anyhow.

Reviewed at http://www.reviewsbyjessewave.com/



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Thursday, December 16, 2010

Review: The Path to Forever


The Path to ForeverThe Path to Forever by Etienne

My rating: 3 of 5 stars


I was enticed by the blurb to read this book by a new-to-me author, but sadly, I ended up unable to really get into the story for a number of reasons.

For one, the writing style was quite unusual. Although it is told in Dani’s and Marco’s alternating first person POV, we don’t get much of the actual narrator’s thoughts or feelings since almost everything is handled through conversation. Emotions, plans, descriptions, history – everything is speech, except for the occasionally thrown – in austere report on locations or actions, and then it’s speech again.
It took me a while to realize why this bothered me so. Aside from the missing internal view – which is not necessarily a bad thing in itself – it was mostly the fact that those guys don’t talk to each other, they are holding stage-worthy dialogues. The overall effect to me was like attending a show or a play with my eyes closed, with someone describing the stage scenery to me. The writing style made it hard for me to take to the characters.

However, the mostly – dialogue writing style makes for a fast-paced reading. Others may love this book just for that.

For another thing, the story flowed along like a calm river despite all the obstacles the two heroes had to master. Marco’s mother gets kidnapped? There’s an almost impossible treaty to negotiate? There was an attempt on Marco’s and Dani’s life? For the most part, those problems are solved like, well that’s what lawyers/private investigators/investment bankers are for. When there’s no handy contractor available, the Duca’s money takes care of next to anything. Well, this is fantasy, after all, but after a while, it felt as if things just fell into Marco’s and Dani’s lap and they didn’t have to work for anything, including their relationship.

There is no on-page sex in this book, at least not between the main characters (although there is a description of Marco getting a hand-job from another gay man they become acquainted with in Aragoni). There are lots of hints at Marco and Dani having sex, but those scenes are not even fade to black, but waved aside with half sentences. It makes sense, in a way, since Marco and Dani have been together for ten years. On the other hand, the lack of physical nearness between the main characters added to my inability to connect with them. Although other characters in the book often refer to noticing Marco’s and Dani’s deep love, I couldn’t. Again, though, this is just me, and my opinion is but one. Others may very well be able to understand their relationship just from the words.

Read the entire review at http://www.reviewsbyjessewave.com/?p=364...



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Wednesday, December 8, 2010

Review: Transit


TransitTransit by Raev Gray

My rating: 5 of 5 stars


Several times over, here and on other sites, readers have been asked what they wish for in books. Often, the answers were along the lines of more realistic tales, real people, people who deal with their problems like adult persons and not like kindergarteners who run pouting into the Big Misunderstanding. As it turns out, these two authors actually listened and subsequently created this beautiful little gem of genuineness together.

Andrew Young is an account director with the same advertising company where Javier Castillo has been working as an art director for fifteen years now. When a flighty dissatisfied customer threatens to take her business elsewhere, the two men are sent to Singapore together in order to smoothen the waves.

About the only thing Andrew and Javier have in common is that both are gay, but previous to this shared business trip they only knew each other through the company rumor mill. Thus both are not overly comfortable when a freak snowstorm strands them in Malpensa, Northern Italy, and a scarcity of accomodations throws them together in one hotel room. Over Christmas, of all times. Wagging tongues have branded Andrew as a slut since he’s said to have slept with a customer for an account, while Javier is considered a solitary workaholic who -

“only pretends that he’s gay so he doesn’t have to go home to his wife and children”

However, the forced closeness and growing mutual attraction soon lead to the inevitable, and they have sex. It’s almost by accident that Javier, the more reserved of the pair, initiates it. Andrew, who’s had a silent crush on Javier for a while, responds with an enthusiasm that soon works its way beneath and behind Javier’s inhibitions.

Javier is a romantic who has almost exclusively had long – term relationships. He’s also someone who dislikes unpredictability and prefers to be in control of everything, starting with his career right through to his physical reactions when he has an orgasm. When he realizes how fast and how far his feelings for Andrew exceed sexual attraction, he’s scared almost to the point of bolting. Andrew, on the other hand, is just recovering from breaking up with an unfaithful, selfish boyfriend. He has been burned over and over like this in the past since he seems to have a talent for always picking the wrong men, and he’s fed up . In Javier, he sees the solidity and reliability he secretly craves, if Javier would just come around and make up his mind.

And here comes the best part, people: those guys TALK to each other. They talk things through, they work things out, and they talk in order to make things work. They even talk during sex, not your usual dirty remarks and demands (although those occur, too), but about ordinary things, and important things, and their wishes and dreams in bed and beyond

“…as if the sex were only an incidental part of the conversation. Oddly enough, maybe it was. They were connecting, and not just physically.”

Considering they both work in the advertising business, where words are everything, and considering how much they both enjoy what they do and live through their work, I could totally buy this as their way of building a relationship. It fits both their personalities and rounds them. It’s simply wonderful to watch how Javier opens up to Andrew, how his artist’s habit of drawing, scribbling and sketching all the time actually helps him sort things out for himself. Later, when Javier’s fears and Andrew’s misplaced secrecy threaten to drive them apart, they don’t retire sulkily into their mutual shells, either. Javier seeks a friend’s advice to get his head on straight, and Andrew opens his door for Javier and listens to him. They each give a little, take a little, and in the end, both agree that life doesn’t give guarantees, but some things are just worth taking a risk.

There was no exaggerated drama and only very little angst in this story, no breathtaking action or dreadful fate, no power play and no unsurmountable obstacles. Andrew and Javier are just two ordinary people with ordinary problems and normal fears and precautions who have something wonderful happen to them, and when they realize how precious it is what they have, they work together to make it last.

This sweet treasure of a story Raev Gray and Aleksandr Voinov came up with together is absolutely worth exploring. Don’t miss it.





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Thursday, December 2, 2010

Review: Frontier Men


Frontier MenFrontier Men by J.P. Bowie

My rating: 3 of 5 stars


The story opens with Red Hawk returning to his mother’s Shoshone tribe from his exile in the “white man’s” world. He experiences a surprisingly warm welcome there, particularly from the chief’s younger brother, Fighting Bear, with whom he soon falls in love. Their happy yet secret relationship comes to a sad and sudden end when Fighting Bear dies in a fight against white soldiers. Red Hawk takes his lover’s murderer captive, but he is expelled from the Shoshone when he finds himself unable to kill the defenseless man. Now he’s on his own again, with no clothes, shelter, and with only his weapons to rely on for food. After he has lived through his first winter alone, the loneliness gets to him. When he comes across a white fur-hunter, he finds himself intrigued. Red Hawk decides to stalk the white man and, to his delight, discovers the paleface is a lover of men, too. A raging bear just comes in handy for him to make the huntsman’s acquaintance.

Daniel MacLeod left Pennsylvania after he lost the man he loved to tragic circumstances. He still misses his dead lover, but has been silently longing for a companion for a while now. On his way back to the trading post, a strangely attractive young Indian crosses his path, soon followed by a mad grizzly bear. The two men fight the powerful beast together, finally beating it, but the Indian apparently gets severely hurt in the process. Although Daniel wants nothing to do with a “thieving redskin”, he finds himself attracted to that particular one, so much so he can’t help but becoming intimate with him. Before Daniel knows, he has gotten himself a companion, one who makes it very clear he won’t be shaken easily. No one is more surprised than Daniel himself to realize he quite likes the prospect.

Now continuing their journey together, Daniel and Red Hawk have an unpleasant encounter with three rowdies in the trade post’s saloon, forcing them to leave quickly. They decide to head for California and use the money Daniel made to start a horse farm, a dream they both share. But the three rowdies catch up with them. Before robbing them of all their possessions, including their weapons, they truss Daniel up and make him watch as they each take a turn in raping Red Hawk. Afterwards, Daniel wants to seek revenge, but Red Hawk convinces him to let Fate take care of the evildoers’ punishment. Yet, the shared dreadful experience has strengthened their bond and made them realize that what they feel for each other is more than a fleeting attraction. They travel on, overcoming the hardships of being almost weaponless in the wilderness together. However, their struggles aren’t over yet. When they encounter the three rowdies again, it isn’t about humiliation and robbery anymore. This time, their love must stand the test of a fight for life and death.

I liked the characters, particularly Red Hawk. He is sweet and easygoing by nature, and quite naive in a way, and yet makes sure he gets what he wants, resorting to manipulation if he must. Some of his shenanigans made me think of him as an American Indian fairy queen, if there is such a thing. Daniel is equally good-natured, although he has a hot temper, and he puts up with Red Hawk’s games even though he knows that he’s being played, and he stands up for Red Hawk against other white men. The attraction between them is clear and mutual, and the sex is hot. Both complement each other and grow together over the course of the story yet I couldn’t quite get into the tale. Daniel and Red Hawk shared some humorous moments, and they expressed their mutual feelings to each other, but I couldn’t entirely buy it. Perhaps this was partly due to the element of insta-love and the way how Red Hawk was first described as feeling eternally connected to Fighting Bear and a few pages later he’s experiencing the same feelings regarding Daniel. Also, the author chose to make both of them think and act like a rather modern gay couple. They could have been taken out of the 1820′s and placed into some contemporary suburb, and they’d still have worked.

My biggest issue was the last part of the book, though, the entire business with the three rogues. Those scenes felt like taken from “Storytelling 101″. Get the heroes together, check. Create a challenge for them, check. Let them overcome it and grow stronger doing so, check. Technically, it was perfectly done, but it lacked genuineness. Subsequently, the rape scene felt cold and distant where it should have been disturbing, and both Red Hawk and Dan dealt with it like it was almost meaningless – which made me wonder why it had to happen in the first place.

Overall, a quite nice and entertaining story with some funny moments and likeable characters. I’d recommend it to fans of the romantically – transfigured view to the Old West who like Indians pictured as noble savages and their White friends as gruff, golden – hearted bears.



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Tuesday, November 30, 2010

Angel Requiem by Jaime Samms

Summary Review:
Not your usual m/m romance, but a delicious, almost lyrical allegory on the power of love.


The Blurb:
In a world without hope that kills what it can’t understand, a solitary priest who has lost all he ever loved may be the last man to still believe in Angels. In the end, his belief may be all that can safeguard the fate of two Angel lovers—and restore his own faith in the power of love.

The Review:
In a not-so-distant future, humanity has lapsed from faith, which rendered the angels pointless.  Now they’re wandering aimlessly among the humans who have turned to hunt and kill those they have once worshipped. In an unnamed wintery city, a lone priest guards his old church and its cemetery in which his brother was buried ten years ago . The priest has lost everything – his brother to the drugs, his lover to a murder, his purpose in life to the lack of faith. The only thing that’s left to him is a hidden power of healing which he doesn’t dare to make use of; and yet he can barely restrain it: whenever he touches the ground, it breaks into greenery and flowers. The voices of the dead sing to him in his mind and lead him to the murder of yet another angel, but he just watches him die and adds the bullet which killed the angel to his growing pile of mementos, as he has done for years.
One day the priest meets a pair of angels who are lovers – Michael, a warrior angel, and beautiful, delicate Gabriel. Watching them, witnessing their tender affection, stirs something in the priest’s frozen soul.  He finds himself longing desperately for what those two have.  They even seem to be offering something, but the priest is too far gone in his hopelessness and sends them away. A while later, though, Gabriel returns to him, beaten bloody an dying. When Gabriel tells him about the attack which might have cost Michael’s life, too, the priest realizes he can’t hide any longer.  He has to finally let loose his power, not for himself, but for the sake of those two, in order to save them and their love – even if this may cost his own life.
Over most of the story the lone priest remains nameless. We look at the world through his eyes and thoughts. Since he’s mostly living inside his head, we don’t learn much about the world in itself, but more about the way the priest sees it, which makes for an emotional, if at times disconcerting experience.  There is almost no worldbuilding; with a few dry words the author depicts a world that is disturbingly familiar and yet just distant enough from our own to be fictional.  Also, there is almost no backstory (which is partly due to the format, of course); for example, we never learn why the priest is so afraid of using his power in the first place, or how he came to hear the voices of the dead all the time.  Many things are not explained, they just happen. The reader follows their course together with the priest, reacting rather than willingly influencing them until the need to decide forges ahead and becomes unavoidable.  The overall effect is not confusing, as one might think it would be, but very intense, bordering on poetic. The motive of love, faith and hope pervades the entire story, embodied beautifully by a little girl in a red coat who, to the nameless priest, eventually turns into a promise for a possible better future.
The “purists”  among us may want to give this a pass, though, since there is no sex at all, it is barely hinted at by the end, almost as an afterthought. Even the actual romance takes a backseat to the allegory.  But those who are willing to veer outside the familiar tracks are in for a treat with this fine, spirited little piece of prose. I enjoyed it greatly and hope to get to read more by this author in the future.

Saturday, November 20, 2010

Review: Death of a Blues Angel


Death of a Blues Angel  Death of a Blues Angel by Sarah Black

My rating: 5 of 5 stars


It's 1966 and although people of all races live quite peacefully together in Washington DC, it's an entirely different story in the South. Three famous old black masters of blues, James Hurt, Blue Otis and Blind Pete, come to perform in the Blues Angel Bar, Washington DC. With them is a young white man, Rafael Hurt, who plays the blues just like they do.
Deacon, half black and half comanche, a reporter with the Washington Post, is sent to the Blues Angel by his boss, Brian, who is also his good friend. Deke is reluctant to go, since he doesn't see the point in interviewing three old me just to write a Christmastime feelgood story like Brian insists he do. Besides, the Post already has a music reporter. But when Deke gets to know Rafe and his three old men better, he is lost. Rafe and Deke fall into mutual attraction almost immediately, and it turns to love for both of them faster than they ara aware.
During Rafe's first gig at the Blues Angel, a young girl is murdered. This murder, and its painful solution almost tears Deke and Rafe apart. Set in their mutual ways, they have to follow their respective fates, even though this might mean losing each other. Then again, their love is strong and true; it might even be strong enough to overcome everything that separates them.

This story was so unbelievably wonderful I didn't want it to end.
The fast, laconic writing style created a film-noir feeling which formed the perfect backdrop to a story so old, sad and sweet like the blues itself. Rafe, depicted as an angelically beautiful boyish man, is deeply rooted in his homeland's ways, tangled up in a net of familial ties he can't escape, even at the price of losing his newfound love. Deke, self-contained lone wolf, never had a family to speak of and has always suspected he'd end up alone. When he meets and falls in love with Rafe, the hope of having found a companion and the pain of losing him again almost break him. These two men are so different and yet so perfect for each other, both so intense and absolut in their determination that their love shimmersand dances from the pages.
This story is as simple, clear and multi-layered as the music which it is all about, the kind of music that needs to be sung when you just can't keep it in any longer.
Don't miss this story, it's worth it beyond words.






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